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8th Yokohama Triennale

Yokohama Triennale 2024

8th Yokohama Triennale

15 March - 9 June 2024

Yokohama, Japan

Title: Wild Grass: Our Lives

Artistic Directors: Liu Ding, Carol Yinghua Lu

List of the 93 participants

Venues: Yokohama Museum of Art, Former Dai-ichi Bank Yokohama Branch, BankART KAIKO, and public spaces
see the information

Organizers: City of Yokohama, Yokohama Arts Foundation, Japan Broadcasting Corporation [NHK], The Asahi Shimbun, Organizing Committee for Yokohama Triennale

Contacts

Photos of the exhibition


Wild Grass: Our Lives

In the past few years, in the face of epidemics and politics, the individual has been placed in a situation of danger, irrelevance, defenselessness, with nothing to fall back on. In their search for an exhibition theme that speaks of humble humanism, courage, resilience, faith and solidarity, the Artistic Directors Liu Ding and Carol Yinghua Lu found a point of reference and empathy for the present situation in the work of the Chinese writer Lu Xun (1881 – 1936). The theme of the 8th Yokohama Triennale Wild Grass: Our Lives, is taken from his anthology Wild Grass, published in 1927. Lu Xun penned the 23 essays compiled in this book from 1924 to 1926, during the turbulent period in Chinese history as well as his personal life, and through it found a thin thread of hope in times of despair.

According to Liu Ding and Carol Yinghua Lu, "the exhibition theme Wild Grass: Our Lives aspires to Lu Xun’s philosophy of the universe and life. It doesn’t just call to mind the image of a fragile and defenseless existence, inconspicuous and alone, in the wilderness, with nothing to fall back on. It is also a symbol of a life force that’s unregulated, irrepressible, defiant, self-motivated, and prepared to fight alone at all times. Furthermore, there is no ultimate state of existence to arrive at. Every state of being is a mediation and a process in itself, where there is no victory or failure but only a perpetual state of internal movement. Thus, every state of being is potentially a messenger for each other, mediating for each other. These philosophical propositions are not abstract; they exist vividly in the world of experience, and are the experiences themselves. 'Wild Grass' signifies a philosophy of life that elevates the irrepressible force of individual life to a respectable existence that transcends all systems, rules, regulations, and forms of control and power. It is a model for flexible expression of subjectivity."

By juxtaposing works by contemporary artists from different parts of the world with historical artworks, starting from the period of Lu Xun's antology, the exhibition will trace several historical moments that have consequently shaped today's oppressive conditions, inviting visitors to reflect on their way of life and search for hope.

complete curatorial statement

Seven Thematic Chapters

The 8th Yokohama Triennale consists of seven thematic chapters, featuring 93 artists/groups from 31 countries/regions, with 20 new commissions.

The main exhibition venue is the Yokohama Museum of Art, where it begins with the first section, Our Lives, which is a landscape where multiple challenges are intertwined with a disorganized yet irrepressible force of life. Here, various states of emergency and precarious existences are considered an everyday norm, instead of exceptions. It sets the tone of the entire exhibition, confronting our crisis-ridden reality while emphasizing the resilience and agency of the individual in the face of despair.

At the heart of Our Lives, is the Directory of Life. It is a selection of essays by artists, thinkers, and social activists who have been reflecting on our time, history, and life in their specific situations since 2000. Their writings outline the political, intellectual, and cultural energies that lurk in everyday life. These practices and ideas allow us to discover utopian possibilities in our own historical situation.

It is followed by two chapters, My Liberation and All the Rivers, which look at subjective agencies, attempts, imaginaries, and actions that create horizons of possibilities for individuals within confined systems. Three remaining chapters, Streams and Rocks, Dialogue with the Mirror, and Fires in the Woods, align with these promising horizons by highlighting the symbolic power of youth, awakened self, and cracks in the flows of life. The chapter, Symbol of Depression, echoes Our Lives through a profound critique of modernity. The exhibition makes visible the correlation between art and reality and the importance of ongoing and critical engagements with life and society for artistic practitioners. Overall, it is a timely response to the current art world where the intellectual capacity and the political agency of art are at risk as a consequence of the prevailing capitalization of art and the logic of the art industry.

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Contacts:

Organizing Committee for Yokohama Triennale OFFICE
c/o Yokohama Museum of Art
3-4-1 Minatomirai, Nishi-ku, Yokohama
220-0012 Japan
Phone: +81-(0)45-663-7232 (Weekdays: 10:00 to 18:00)
FAX: +81-(0)45-681-7606
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From press information.
© Cover image on top: SIDE CORE, Construction giant, 2024 
© Photos: Courtesy of Organizing Committee for Yokohama Triennale

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